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February 18, 2008

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Dan Leo

My book happened to be "Kill the Boss Good-by" by Peter Rabe, currently out of print, but I have a Black Lizard re-issue from 1988, which I picked up at The Book Trader on 2nd Street in Philadelphia. The book was first published as a pulp paperback original in 1956. The three sentences are:


So Mound, as if he hadn't been there, got away.

Fell was no longer confused. Pander was his focus and there was nothing to interfere.

I have no idea what any of that means because I'm only up to page 93 of the novel. I'm quite looking forward to finding out though!

One thing I like about Rabe is the odd names he gives his characters: Fell, Pander, Cripp, Phido, and now this Mound dude whom I haven't met yet.

A better idea of Rabe's writing is the excellent first sentence of the book, so I'll give you that as a bonus:


For a town of three hundred thousand, San Pietro looked very dead, but it was noon and out of season.

Jennifer

Thanks Kathleen! Your contribution is much more enlightening than my "A Salute to Cheese"... I'm curious though, I wonder what we'd get if we crossed the two. :)

Kathleen

I knew you'd offer something extraordinary, Dan. The names remind me of Shakespeare, Henry IV, Part Two: Shallow and Silence, Pistol and Doll Tearsheet, and as someone pointed out to me, Falstaff himself as a variant on Shake-speare.

Kathleen

Jennifer, I don't know how they'd mix. "A Salute to Cheese" carries the ring of inspiration, which I suspect is much more fun than enlightenment. I say "suspect," because my experience of either remains mysterious to the point of negligibility.

Dan Leo

Kathleen, come to think of of it -- and it took your comment to make me think of it -- this barely-known out-of-print "cult" novel (cult consisting of aficionados of pulp crime fiction) actually is Shakespearean in its theme: the downfall of a king, in this case a crime boss.

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