Sun’s not quite up yet and Nando hands me a hoe and I go to work
near the cliff. An invisible cloud of no-see-um insects rises from a
thick thatch of grass and bites my neck and face. Nando and Hugo are
off tearing up the shrubs and bushes. I tear off my glove to slap at
the bugs. Wave my hands around and they disperse. I reach for the hoe
handle before the glove. And searing pain invades the inside of my
wrist. I flick off a long, thin, brownish thing. Reflex action. But I
see the snake falling in the air. Its yellow tail means it’s a
juvenile. And juvenile pitvipers are even more lethal than the adults.
The bite already looks like multiple blood blisters. I call Nando. Maybe he hears the alarm in my voice, but he was already afraid, and runs toward me so fast it’s like watching violence. He looks at my wrist. “Shit, Scottie. The terciopelo?”
“Yellow tail.” I hold my forearm and pain explodes up and down the whole limb.
“Keep calm, hombre.” [Click here to read the first episode, or here to read the previous one.]
*
Is everyone stuck in their childhood? Nightmares, feverish delusions—they’re all the same. We’re trapped in an out of sync past. So in the dark, my mother slams the door, gone for good. Then she’s back yelling that my dad’s not worth it. She drove to a Lake Michigan pier, ready to “press the pedal to the metal” so her car would go soaring into the water, when it occurred to her that my dad wasn’t worth it. If he wanted to make up it up to her? If he wanted to do her a favor for being such an asshole? Why didn’t he go drown himself?
A minute later, my dad’s screaming at me, “Who broke the Christmas angel if you didn’t?” Do I think he did it? My mom? “That leaves your sister Annie. Are you telling me your sister, who’s not even crawling yet, broke the Christmas angel?
My dad won’t go away. He keeps punching me, slamming me to the ground. I don’t get up, but because this isn’t real, he can keep punching and slamming me all he wants. “You’re lying to me, Scott! What makes you think you can lie to me?”
My head pounds. It weighs two tons at the top of my fossilized neck, which itches like hell. I’m lying on a bed, stripped except for my shorts. My right arm is twice as big as the rest of my body. My mind’s spinning in the air, which is neither light nor dark. A voice warns me not to move, not even to twitch. A plastic case covers my mouth and nose. A metal tank by the bed sweats and clanks, like I’m stupid. A tube connects the tank with the face mask, which I can’t rip off, because of another tube attached to my one arm that still is an arm. The swollen growth on my right boils and stings, and as bad as the pain is, I can’t believe it’s my arm and not some sick, grisly reptile, bristling with fangs.
Two guys are arguing. “You could’ve killed him if he was allergic, Nando.”
“Not with the sheep serum. This wasn’t the horse shit, the horse Polivalentes. I stuck four sheep vials in his butt.”
“He still could’ve been allergic to sheep antivenom. You didn’t know.”
“What about all those shots you gave him, Doc?”
“Standard tetanus. And cortisone because he’s got that rash on his throat. Why am I explaining this to you? Inside the wrist is a terrible place for snake bites. Especially pit vipers. Their venom gets into the veins and you get blood clots, strokes.”
“But he’s okay, now. Or do I call for the plane?”
“Overnight here. And after two days he can go to San Jose for chest X-rays. EKG. I’m not sure if they’ve got an MRI there or not.”
Emma’s screaming, “Oh my God!” She’s flying, wearing a bikini, about to jump on the bed.
“Who are you? What’re doin’? Nando, get her out of here.”
“It’s Emma, Doc. Scottie’s amante.”
I fall back, hearing howler monkeys. Their howling is funny and scary. They wake you at dawn, but it’s not dawn. I’ve got no idea what time it is, but it’s not dawn.
Nando’s leaning over the bed before he leaves. “You’ll be okay, Scottie. Just rest. Pura vida, hombre.”
Emma says, “Dr. Arelleno,” and he lets her touch my forehead while he shoots me up with more antivenom. “Every six hours now,” he says.
He’s measuring the roiling, man-eating creature that used to be my right arm. “Stabilized but not subsiding.”
It’s right out of a tired cartoon. A cheapo Frankenstein movie where I’m the monster. Emma tugs on Dr. Arelleno’s sleeve and they step into a shadow. She says, “He’s trying to say something.”
(Click here to read the next episode.)
At this point, at this crucial—I beg you, Carlos, please just one more second—he managed to make it both better and worse by moving his hands up and away, his fingers near my chest before mercifully he drew me closer to him. He hugged me from behind. With the robe open, I recognized his tight muscled torso rubbing against me, his hip points jabbing my butt cheeks, squashed down and together by my way too-small jeans.
We had gone downtown, pursuing our ritual game of rooftop hunting, swaggering past hotel registration desks or talking our way past office-building night watchmen. We tried stairwells and fire doors until one opened onto the roof. One always did. That night it was the Hyatt Regency.
He’s already started on the jungle path, but trudges back to the drier, grassier area where his new house will be. He’s shirking and apologetic from a hundred feet away. Taps my shoulder and kind of hugs me, saying, “You shouldn’t do the groundwork, Scottie. Leave it to me and Hugo and, I don’t know, maybe Trevor.”
We’re walking on the beach at sunset, which is a romantic cliché. But still beautiful. More than beautiful—awe inspiring. Look at the world, look at the possibilities in your life—she means my overprivileged life specifically. “And you plan to spend it going after me or some other woman, and then another and another?”
“Who’s talking about religion?” my voice rose.
But what do I care? As long as he’s back sleeping on my couch, back performing those spellbinding hand exercises. He bathes, combs out his hair, and puts on my robe. He circles the floor, rotating the Chinese iron balls in his incredibly beautiful hands. And as I obviously love watching this (twice I’ve caught myself with my mouth agape), he’s extended the routine to an hour, adding a CD of exquisitely gentle flute music.
“Exactly. And they don’t work with someone like me at the top. Whereas you, Malcolm, if you’d only apply yourself—could qualify as a bona fide saint.”
And she hoots, pushing me away. “You faker, Scott.” She’s laughing and kicking her feet. “Acting like it’s this big deal to say, ‘I love you.’ When it’s easy for you. You don’t worry about it. You’ve said it a million times. But with me you were saving it. So that, ‘I love you,’ would be this great big special moment.”











